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The Poetry of Weldon Kees

, 120 pages

4 halftones

April 2017



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The Poetry of Weldon Kees

Vanishing as Presence

Weldon Kees is one of those fascinating people of whom you’ve likely never heard. Most intriguingly, he disappeared without a trace on July 18, 1955. Police found his 1954 Plymouth Savoy abandoned on the north side of the Golden Gate Bridge one day later. The keys were still in the ignition. Though Kees had alluded days prior to picking up and moving to Mexico, none of his poetry, art, or criticism has since surfaced either north or south of the Rio Grande.

Kees’s vanishing has led critics to compare him to another American modernist poet who met a similar end two decades prior—Hart Crane. In comparison to Crane, Kees is certainly now a more obscure figure. John T. Irwin, however, is not content to allow Kees to fall out of the twentieth-century literary canon. In The Poetry of Weldon Kees, Irwin ties together elements of biography and literary criticism, spurring renewed interest in Kees as both an individual and as a poet.

Irwin acts the part of literary detective, following clues left behind by the poet to make sense of Kees’s fascination with death, disappearance, and the lasting interpretation of an artist’s work. Arguing that Kees’s apparent suicide was a carefully plotted final aesthetic act, Irwin uses the poet’s disappearance as a lens through which to detect and interpret the structures, motifs, and images throughout his poems—as the author intended. The first rigorous literary engagement with Weldon Kees’s poetry, this book is an astonishing reassessment of one of the twentieth century’s most gifted writers.

John T. Irwin is the Decker Professor in the Humanities emeritus at Johns Hopkins University. His books include F. Scott Fitzgerald’s Fiction: "An Almost Theatrical Innocence"; Hart Crane’s Poetry: "Appollinaire lived in Paris, I live in Cleveland, Ohio"; The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story; and Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir.

"Weldon Kees’s poetry still leads readers into a strange world, arcane but hyperfamiliar, long after he disappeared in 1955. Even so, scholarship devoted to him is rare—and entire books rarer. Irwin does Kees justice and reveals what is programmatic to this distressed, as opposed to rugged, individualist and his peculiarly American problem of presence and impresence."

"Weldon Kees is a vital American poet, still too little read. John Irwin’s study goes a long way towards reviving the aesthetic importance of Weldon Kees. Irwin, author of the definitive book on the poetry of Hart Crane, renews Crane’s legacy as he traces Crane’s influence on Kees."

"With its creative intermingling of psychobiography, literary history and criticism, and philosophical rumination, this book is well researched, original, and penetrating. Anchored by a fascinating conceit that illuminates all that follows, The Poetry of Weldon Kees is both erudite and accessible."

"Although Kees remained invisible to academics, he exerted a powerful influence on young poets. The huge gap in Kees’s reputation between poets and professors came to symbolize the stark differences in literary taste among creative and theoretical thinkers who often coexist uneasily in the same English department. John T. Irwin, a poet and literary critic who teaches at Johns Hopkins University, has partially closed the gap in a brilliant new study of this neglected author. Most pioneering monographs are cautious in their approach. Irwin’s The Poetry of Weldon Kees: Vanishing as Presence is audacious and provocatively speculative. Declaring Kees ‘the most interesting poet of his generation,’ Irwin frames the author’s life and work against a backdrop of modern literature and philosophy. concise, clearly argued, and free from critical cant, the book is a model of scholarly writing; it also reminds the reader how revelatory literary criticism can be. For Irwin, the stakes are not merely academic; understanding Kees is literally a matter of life or death."

"Irwin's sensitive readings are consistently illuminating."

"... Irwin insightfully opens doors into a few works an lays groundwork for further exploration of Kee's place in contemporary poetry."

"Irwin writes with the courtly civility and cultivation of a bygone era, which is pleasing unto itself, and the book as an object continues this pleasure; at 120 pages, it’s a categorically slim volume, which speaks not just to Irwin’s economy of style, but also to his subject’s short life, which ended (as far as we know) at 41."

"... Irwin’s memoir is a nice little piece – almost more a lengthy essay which includes Kees’s art, and the writer’s life – it discusses the philosophy of Nietzsche and nihilism, Camus’ major influence on the idea of suicide and the bizarre and flat out strange nature of disappearances."

"Irwin considers Kees’s disappearance in the light of his poems and vice versa, and traces influences upon Kees’s thinking by rereading the many authors Kees mentioned in his own writings, paying particular attention to mentions of suicide and resurrection."

"Despite my differing assessment of the value of Kees’s poetry, I have no doubt that John Irwin’s book is essential. Its conversational prose avoids jargon, and it offers both thoughtful analysis and new insights derived from difficult research. The Poetry of Weldon Kees: Vanishing as Presence will thoughtfully guide future scholars. I recommend it highly."

"... Irwin avoids academic jargon and theories du jour; calling the book "the eventual fulfillment of a lengthy admiration" for Kees, he is clearly eager to share that esteem not only to fill a gap in academic literature, but also to bring this fascinating and overlooked poet to more readers. I hope he succeeds."

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