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Rock Star

, 264 pages

26 halftones

August 2014



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Rock Star

The Making of Musical Icons from Elvis to Springsteen

"All stars are celebrities, but not all celebrities are stars," states David Shumway in the introduction to Rock Star, an informal history of rock stardom. This deceptively simple statement belies the complex definition and meaning of stardom and more specifically of rock icons. Shumway looks at the careers and cultural legacies of seven rock stars in the context of popular music and culture—Elvis Presley, James Brown, Bob Dylan, the Rolling Stones, the Grateful Dead, Joni Mitchell, and Bruce Springsteen. Granted, there are many more names that fall into the rock icon category and that might rightfully appear on this list. Partly, that is the point: "rock star" is a familiar and desired category but also a contested one.

Shumway investigates the rock star as a particular kind of cultural construction, different from mere celebrity. After the golden age of moviemaking, media exposure allowed rock stars more political sway than Hollywood's studio stars, and rock stars gradually replaced movie stars as key cultural heroes. Because of changes in American society and the media industries, rock stars have become much more explicitly political figures than were the stars of Hollywood’s studio era. Rock stars, moreover, are icons of change, though not always progressive, whose public personas read like texts produced collaboratively by the performers themselves, their managers, and record companies. These stars thrive in a variety of media, including recorded music, concert performance, dress, staging, cover art, films, television, video, print, and others.

Filled with memorable photographs, Rock Star will appeal to anyone interested in modern American popular culture or music history.

David R. Shumway is a professor of English and literary and cultural studies at Carnegie Mellon University and author of Creating American Civilization: A Genealogy of American Literature as an Academic Discipline.

"Elvis was the prototype, but he wasn’t a template. Shumway’s other examples of the rock star share a penchant for capturing and expressing social issues and cultural conflicts in both their songs and how they present themselves, onstage and off."

"[Kurt Cobain] marked something like the end point of rock stardom, the point when even actual rock stars rejected the role... Which may be fortunate, since it seems to be disappearing anyway, as Shumway argues in this smart, provocative, and emotionally charged book. I’d hate for that to be true, but in the worlds of media and culture we’re in the grips of changes as profound as any since the invention of the printing press. In that enormous context, the loss of rock stardom may seem trivial. But, as the old prerock era Gershwin song says, not for me."

"Will appeal to anyone interested in modern American popular culture or music history."

" Rock Star: The Making of Musical Icons from Elvis to Springsteen... will appeal both to music readers and college-level audiences who follow social and cultural trends. This makes for a much wider-ranging survey than your typical music book can offer."

"A minor masterpiece... Clear, stimulating prose."

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