Join our email listserv and receive monthly updates on the latest titles.

Hopkins Fulfillment Services

Victorians Undone

, 432 pages

65 halftones, 1 map, 22 color plates

February 2018



Availability Text

Usually ships 2-3 business days after receipt of order.

Victorians Undone

Tales of the Flesh in the Age of Decorum

In Victorians Undone, renowned British historian Kathryn Hughes follows five iconic figures of the nineteenth century as they encounter the world not through their imaginations or intellects but through their bodies. Or rather, through their body parts. Using the vivid language of admiring glances, cruel sniggers, and implacably turned backs, Hughes crafts a narrative of cinematic quality by combining a series of truly eye-opening and deeply intelligent accounts of life in Victorian England.

Lady Flora Hastings is an unmarried lady-in-waiting at young Queen Victoria’s court whose swollen stomach ignites a scandal that almost brings the new reign crashing down. Darwin’s iconic beard provides important new clues to the roles that men and women play in the great dance of natural selection. George Eliot brags that her right hand is larger than her left, but her descendants are strangely desperate to keep the information secret. The poet-painter Dante Gabriel Rossetti, meanwhile, takes his art and his personal life in a new direction thanks to the bee-stung lips of his secret mistress, Fanny Cornforth. Finally, we meet Fanny Adams, an eight-year-old working-class girl whose tragic evisceration tells us much about the currents of desire and violence at large in the mid-Victorian countryside.

While ‘bio-graphy’ parses as ‘the writing of a life,’ the genre itself has often seemed willfully indifferent to the vital signs of that life—to breath, movement, touch, and taste. Nowhere is this truer than when writing about the Victorians, who often figure in their own life stories as curiously disembodied. In lively, accessible prose, Victorians Undone fills the space where the body ought to be, proposing new ways of thinking and writing about flesh in the nineteenth century.

Kathryn Hughes is the professor of life writing at the University of East Anglia and a literary critic for The Guardian. She is the author of The Short Life and Long Times of Mrs Beeton and George Eliot: The Last Victorian.

"Intriguing, gleefully contentious and—appropriately enough—fizzing with life, Victorians Undone is the most original history book I have read in a long while."

"A page-turner... brilliant all the way through. One of the best books I’ve read in ages."

"Elegantly sidestepping the usual clichés of Victorian history, from foggy streets to whimpering urchins, each page becomes a window on to a world that is far stranger than we might expect. It is writing that takes the raw materials of everyday life, starting with the body’s ‘bulges, dips, hollows, oozes and itches,’ and makes them live again. A dazzling experiment in life writing... Every page fizzes with the excitement of fresh discoveries."

"This lively study goes behind the frills and furbelows to explore aspects of the Victorians’ notoriously strange attitude to the body."

"It is rich and scholarly, something fascinating to be discovered on every page... Hughes is a thoroughly engaging writer: serious-minded but lively, careful yet passionate... Some of the encounters in its pages, whiffy and indelible, will stay with me for ever."

"Victorians Undone is a work of formidable scholarship, but Hughes has a fluid, jaunty style that propels the reader from idea to idea. Reading it is like unraveling the bandages on a mummy to find the face of the past staring back in all its terrible and poignant humanity."

"History so alive you can smell its reek... With her love of bodily detail, Hughes does indeed put the carnal back into biography."

"No one remotely interested in books should miss it."

"I can’t think of a recent social history I’ve enjoyed more."

"Beautifully constructed, narrated not only with wit and gusto, but a clear sense of purpose."

"Sex certainly rears its many heads, but so does every other aspect of Victorian life, from farming techniques to court etiquette, dentistry to oil painting."

"Hughes regularly surprises us by showing just how much her subjects’ physical selves impinged on their contributions to our culture, and sometimes on the very course of history."

Related Books