"With delightful verve, Brad Evans gives us a whole new insight into the role of small magazines in the creation of modern literature. Arguing for the importance of circulation networks, Evans shows how ephemeral bibelots—small format, short-lived journals—created trends in modern literary production that grew out of dynamic social relations. Popular, faddish, and fashionable, these publications fostered the emergence of new concepts of gender, sexuality, and literary identity that then became part of mainstream literary modernism. By providing a vivid picture of these publication circuits, Evans's study shows how artificial it is to separate the canon of modern works from their distributed and complex conditions of reception and production. Wonderfully written and highly readable, this book embodies some of the feeling of fin-de-siècle flights of aesthetic fancy of the era on which it is focused."