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Supplemental Material

Acknowledgments Introduction: Poetic Modernism and the Culture of Mass Print Chapter One: As Good as Gold: Palgrave’s Golden Treasury, Poetic Value, and the Objective Anthology Chapter Two: Making Modern Poetry: Format, Form, and Modern Poetic Genre Chapter Three: Scrapping Modernism: Marianne Moore and the Making of the Modern Collage Poem Chapter Four: Selecting Modernism: Eliot, Faber, and Poetic Reproduction Chapter Five: Instituting Modernism: The Rise of the Modern American Poetry Archive Coda: Remaking Poetic Modernism after a Culture of Mass Print Notes Bibliography Index