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Table Of Contents

Acknowledgments
Introduction. Modern Poetry, Cultures of
Collecting, and the Mediation of Mass Print
Chapter 1. As Good as Gold: Palgrave's Golden Treasury, Poetic Value, and the Objective Anthology
Chapter 2. Making Modern Poetry: Format, Form, and Modern Poetic Genre
Chapter 3. Scrapping Modernism: Marianne Moore and the Making of the Modern Collage Poem
Chapter 4. Selecting Modernism: Eliot, Faber, and Poetic Reproduction
Chapter 5. Instituting Modernism: The Rise of the Modern American Poetry Archive
Coda. Remaking Poetic Modernism after a Culture of Mass Print
Notes
Bibliography
Index