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"Historians might not have answers to the questions of technology displacing and deskilling workers, but they can lay out the facts and be sympathetic to the victims. This Kraft has done. He writes clearly and without bias, [and] has an understanding of his subjects that comes from his own background as a musician."

"In Stage to Studio, James Kraft presents a concise, well-researched, and well-written historical account of the actions and reactions of unionized musicians as they faced new technologies and changing conditions of labor in early twentieth-century America... an important contribution to the literature on organized workers in America."

"Combining techniques from social history, labor history, and the history of technology, Kraft weaves together archival material, oral history data, and secondary sources to produce an accessible narrative and a rich analysis."

"Kraft has given us a superb history that shows the complexity of how "even the most celebrated accomplishments of the capitalist market system can be, and usually are, accompanied by social dislocation." I am not typically drawn to labor histories, but Kraft has shown the finer side of his craft, and in so doing has preserved for the broadest audience the experiences of an overlooked yet remarkable, indeed invaluable, group of people who have brought all of us much joy through their music. They deserve our collective remembrance."