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Table Of Contents

Acknowledgements
Introduction. Adorno's Modernism and the Historicity of Popular Culture
Chapter 1. "Some Quality of Delicate Paradox": Sanctuary's Generative Conflict of High and Low
Chapter 2. "Get Me a Nigger": Master, Surveillance, and Joe Christmas's Spectral Identity
Chapter 3. "Some Trashy Myth of Reality's Escape": Romance, History, and Film Viewing in Absalom, Absalom!
Chapter 4. Screening Readerly Pleasures: Modernism, Melodrama, and Mass Markets in If I Forget Thee, Jerusalem
Conclusion. Modernism, Jail Cells, and the Senses
Notes
Works Cited
Index